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Virtueel Museum, The number of individual and orginal styles is endless - p 91"Surrealism VII" is the continuation of page 87.
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Surrealism VII |
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Ben Goossens, Dreamscapes of the Mind (source)
Ben Goossens, Drop of Prosperity (source)
Ben Goossens, Big Town Exodus (source)
Antonio Caparo, Find the Ocean, an homage to Moebius (digital painting) (source)
Shafeek Nazir, Ruth (3D art) (source)
Kraftwerk, Yves Tanguy called and wanted his parameters back (fractal art) (source)
Vitaly Glovatsky (source)
Silvano Braido (source)
Josip Csoor, Beginning (oil on canvas) (source)
Josip Csoor, Wizard Merlin's pantry (oil on canvas) (source)
Rei-shin (source)
Rei-shin (source)
Allen Song, Subterranian Civilization (digital painting) (source)
Alex Alemaney (source)
Klim Novosel'tsev, Mind Game (source)
Conlaodh, Claustrophobia (source)
Diane Dellicarpini, Untitled (traditional collage) (source)
Diane Dellicarpini, Holding Court (mixed media) (source)
Ed Constantine, Fancy sampling Message (traditional collage) (source)
Audrey Smith, Bloom (traditional collage) (source)
Igor Skaletsky (source)
Alexey Terenin (source)
Laurent Gapaillard (source)
Cynthia Sheppard, Momentum (digital painting) (source)
Gavin Li, Dystopian Europe (digital painting) (source)
me72nl, Flood Watch (source)
Christos Bokoros (source)
Ricardo Fernández Ortega (source)
Vito Campanella (source)
Vito Campanella (source)
Daniel de la Cruz (source)
Kirsten Zirngibl (source)
Kirsten Zirngibl (source)
Jie Ma (source)
Faustino Manchado Pascual (source)
Krzysztof Bielenin, Underwater World (source)
San Base (fractal art) (source)
San Base (fractal art) (source)
Morchen, The Arch (source)
Leszek Bujnowski, Dreaming Town (photomanipulation) (source)
Michal Karcz, Core (photomanipulation) (source)
kolja7t, Street of spherical Lights (3D art) (source)
Unknown artist (please if this is yours, mail us!) (source)
Peter Van Straten, The dance of innocence and potential (oil on canvas) (source)
Kunrong Yap, The Heart of Darkness (digital painting) (source)
This chapter continues on page 107 |
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