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Virtueel Museum, contemporary art can be different - p 56

This chapter is the continuation of page 27, theme 'Towers'

Towers III

Sunga Park, Tom Gate, Oxford (source)

Marcin Kolpanowicz, Brama Niebios (source)

Marcin Kolpanowicz, Fungopolis (source)

Piero Cannelli, Cattedrale (source)

Vytautas Laisonas (source)

Donglu Yu, Black Flag Havana Cathedral (source)

Kraftwerk, St Anthony and The Temptation of the Fractalic Mystical Daliphants (fractal art) (source)

Paul Lasaine (source)

Alexander Jansson (source)

SnowSkadi, Academia (digital painting) (source)

Jorge Jacinto, In a safe Place (source)

Jorge Jacinto, Neo-Tokyo (source)

Ming Fan (source)

Minseub Jung, Steampunk City (source)

Dumaker, Epiphany (source)

Sebastien Hue, The Capital of Iron and Steel (source)

Florian de Gesincourt, Dges 2013 Ca013 2k (source)

masaki768, Scene Concept (source)

Przemyslaw Krystaszek, Citadel1 (source)

Florian de Gesincourt, Karak o'Ter (source)

Marc Simonetti, Knight Ramsay (source)

Damir Bogdan, Astral Castles IV (source

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Damir Bogdan, Transmission II (source)

Beke, Light in the Darkness (source)

Alex Popescu (matte paintings) (source)

Stephen B. Whatley, Tate modern, Tribute to a Decade (oil) (source)

Keiko Tanabe (watercolor) (source)

Konstantin Kerkhov, Blue and burnt Sienna (watercolor) (source)

Konstantin Kerkhov, Sunday afternoon (watercolor) (same source)

Eric Gagnon, Sunset Tower (source)

Soenke Maeter, The Tower of Babylon (source)

Kantapong, Garuda Tower (source)

Flavio Bolla, A deserted City (source)

Pedro Fernandes, Night Visualisation (matte painting) (source)

Nicholas Gwee (source)

Greg Bridges (source)

Anthony Eftekhari (matte painting) (source)

Stephan Martiniere (source)

Viktor Antonov, City 17 (source)

Alexandr Melentiev, Gate in an empire Aid. Expedition (3D art) (source)

Mathieu Latour-Duhaime (source)

Remton, Steamcity (source)

dawnpu, Ts-1 (source)

Jordan Grimmer, Train City (source)

Kouji Oshiro Kochi, City 2 (source)

Alex Ruiz, Future Architecture (source)

This chapter is continued on page 66

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