Alvaro Castagnet (aquarel) (source)
Arnold Lowrey, Boat of brilliance (aquarel) (source)
Gérard Mursic, Marine Mai (source)
Valeri Tsenov, The lost World (source)
Valeri Tsenov, Lighthouse (same source)
Valeri Tsenov, Cycle antique Seas (same source)
Mike Bernard Ri, Runswick Bay (mixed technique) (source)
Santie Cronje English, The Homecoming (source)
Vadim Voitehovitch, The Night in the Harbour (source)
Peter Rodulfo, In Harbour (source)
Laurazee, Yaletown (source)
Yuri Laptev, Harbour (source)
Stefano, The Somnolent City (source)
Mingfan (source)
Pavel Elagin, Ship Bay (source)
Dmitry Zaviyalov, Echo-harbor (source)
Stephan Martiniere, Shadow in Summer (same source)
Ling Xiang, The Port (source: cghub-see text p 23)
Nikolai Zaitsev (source)
Peter Hague, Toccata (3D art) (source)
Simon Goinard, Mutiny (coming from cghub, new source)
Max Hugo, Hidden Harbour (source)
Graeme Pattison, Northumberland Harbour (fotomanipulatie) (source)
Edward Grad, Roman Harbor (digital matte painting) (source)
Alan Tsuei, Harbor City (digital painting) (source)
Alan Tsuei, 20130528 (source)
Barry Hilton, Ships in Harbour I (source)
Barry Hilton, Galleon at Moonlight II (source)
Rozanne Bell, Moonlit Cove (source)
Micko-vic, Ended7 (source)
Annis Naeem, Ship (digital painting) (source: cghub-see text p 23)
Ivanov Vsevolod (source)
Alexander Shumtsov (source)
Michael David Sorensen (source)
Samuel Michlap, Sinbad Gate I (source)
Samuel Michlap, Island II (source)
Donglu Yu, Black Flag Havana Skyline (digital painting) (source: cghub-see text p 23)
Rado Javor, La Rochelle (source)
Rado Javor, Susan Constant (source)
Vytautas Laisonas (source)
Roger Suraud, Philosophical Fantasy (source)
Elzbieta Brozek (source)
Christian Chihaia, Caribbean Seas (source)
bin, Port (digital painting & aibrushing) (source)
David Brewster, Baltimore Harbor from Federal Hill (source)
David Brewster, David Porter's Observatory (same source)
Simon Goinard, Architect 2 (digital painting) (coming from cghub, new source)
François Baranger (source: cghub-see text p 23)
This chapter continues on page 72
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